march 2010, Ghent

Another one for the robotorchestra, made with PIMP. This piece is the first one using the akai APC-40 for live input. For this, i've written a new interface library for the APC-40, which is a surface controller normally used to control ableton live. By doing this i can map the controller to anything I want. In hyperfolly, the main melodic motive is controlled by the 8 faders while the grid is used to control which instruments are playing. The main volume control is mapped to the frequency of <SIRE>.